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Category: Jazz

8 comments on “ Under Wraps - Barry Adamson - Moss Side Story (Cassette, Album)

  1. Why is this Barry Adamsons best record? Well, its thrilling and visceral. It has no truck with easy listening or coffee table jazz. Moss Side Story is the definitive Adamson record for me. It is just such a thrill to listen to - a realisation of his imaginary film soundtrack style. /5(11).
  2. Act One – The Ring's the Thing On the Wrong Side of Relaxation, Under Wraps, Central Control, Round Up the Usual Suspects Sounds from the Big House, Suck on the Honey of Love, Everything Happens to Me, The Swinging Detective.
  3. The featured classic album is “Moss Side Story” by Barry Adamson (Mute, ) – “ideal for dark-night walks on difficult days, or if you should ever find your life .
  4. Two classic Barry Adamson albums repressed and available on vinyl for the first time in many years. Brought up in Manchester’s Moss Side, Barry Adamson began his career in , learning to play the bass literally overnight for Magazine, Manchester’s most influential band of that era.
  5. album. Moss Side Story Barry Adamson. 15 songs (53 minutes) Released on March 6, My Songs; Unlimited; 1. On The Wrong Side Of Relaxation: 2. Under Wraps: 3. Central Control: 4. Round Up The Usual Suspects: 5. Sounds From The Big House Listen to your favorite songs from Moss Side Story by Barry Adamson Now.
  6. Jun 06,  · Barry Adamson, member of Magazine, The Bad Seeds and, errr, Visage, featured on Snub TV around the time his LP Moss Side Stories was released.
  7. Barry Adamson's first full-length album, Moss Side Story is still unequivocally his best. Elements of rock, voices from news reports, blood-curdling wordless female vocals (courtesy of experimental/punk diva Diamanda Gal?s), lounge keyboards, and swirling funereal ambient music are interwoven on this taut and compelling, almost continuous imaginary "soundtrack.".
  8. AllMusic Review by Richie Unterberger. Barry Adamson 's first full-length album, Moss Side Story is still unequivocally his best. Elements of rock, voices from news reports, blood-curdling wordless female vocals (courtesy of experimental/punk diva Diamanda Galás), lounge keyboards, and swirling funereal ambient music are interwoven on this taut and compelling, almost continuous imaginary 9/

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